I am no Hemingway. I wouldn’t recognize the smell of wine on your breath, nor would I be able to identify the drink by the shape and color of its bottle. But when I see one of those glass containers used in World War II to apply alcohol to soldier’s wounds, I know as well as the next person that that bottle dispenses a different kind of alcohol today.
There are a lot of these bottles littering Amman’s countryside and, interspersed with the rocks, shards and shards of broken glass.
In a lapse of realism, I pinned this irresponsibility on Jordan’s tourists, its foreigners, the people who, I thought, would venture out into this wilderness to have a little wild fun of their own.
“No no,” my aunt’s husband said with the authority of a local. “It’s the shabab (young people). They come out here — boys and girls together — to drink and do things. You’d think it’d be others, but” he shrugged his eyebrows and clicked his tongue.
“Christians here tell us,” he continued, “we don’t drink like you Muslims do. When you drink, you drink a kundara (literally: a shoe; figuratively: a bootful).”
I laughed so hard. “A bootful?”
My aunt’s husband smiled one of his rare smiles. “That’s an expression here. When you drink ’til you’re drunk.” He raised an imaginary beer mug to his lips, but I saw him drinking his liquor from a boot befitting Paul Bunyan. (Gosh, I love Arabic expressions.)
While he went for a walk, my aunt and I perched on a flat boulder which sat on the neck of a hill. The enormous valley before us was a sight to see. A long steep road ran between the hills, like the meeting of two pages in a book. The sky was freckled with clouds and the ground was piebald — greens, yellows, browns and whites — thanks to recent rain. A horse neighed in the distance and a crowd of untended goats grazed a stone’s throw from our picnic. The cool wind stung our faces and the hot homemade tahini-roasted-chicken sandwiches warmed our hands.
A car drove past, and a well-dressed man in a red keffiyeh and i’gal shouted “Sahtain! May you enjoy your meal!” from the passenger seat. When my aunt’s husband returned from his walk, we told him about the cheerful passenger, how we thought it a strange but respectful gesture. He respectfully disagreed.
“Any man who speaks to strange women like that is not muhtaram (respectable). Had I been sitting with you, would he have told me sahtain?” No, he wouldn’t. He had a point. Still, my aunt and I wordlessly agreed that he was a little jealous.
A half-hour later, when my aunt and I walked past a party of three middle-aged men along an empty road, they shouted “Tfaddalu! Come join us!” We didn’t hear it actually, but my aunt’s husband (who protectively followed at a distance) heard it and more. They had been drinking, he could tell, so he suggested we move our party elsewhere.
My aunt’s husband is a chivalrous man, a man with muroo’ah who will drive me (or even my friend) halfway across Amman so we don’t have to take a taxi cab at night. He does it out of a deep sense of obligation.
He knows Amman better than I do, so when he asks me not to wander off into the forest alone, I respect his wishes. And when he asks me to climb up out of the valley because wild dogs haunt the place after sunset, I do as I’m told. (And even though I’ve encountered one or two of the coyote lookalikes, I can’t help but think of the wild dogs as metaphor.)
In several of Shakespeare’s plays — most notably A Midsummer Night’s Dream — the forest represents an escape from the law and order of family and state. The presiding authority of fathers and kings disappears under the thick forest canopy, as love triangles turn into quadrangles and pentagons, and young people and fairies run amok. In the far less known Two Gentleman of Verona, Shakespeare’s forest is also home to bandits and outcasts, and a gentle lady is nearly raped by a gentleman among the trees.
Even in a country as heavily policed as Jordan, the forest does feel like a stateless lawless place. And every act — good or bad — seems to have a bigger resonance there because in our almost-solitude society’s pressures are, for the most part, stripped away.
In the forest, the tree, too, looks like an entirely different person; it seems more sublime raising its arms up to the heavens before a sympathetic audience than when its humility is dwarfed by glass-and-steel buildings grabbing lustily at a placid sky.
In the forest valley, both the cheerful yodel and the hollered profanity have a seemingly eternal echo. In a place where the sun rays are are more perfect than a king’s crown, where the hilly horizon is as proud as a pharaoh’s tomb, where a tree threatens to outlive me and my grandchildren too — everything is exaggerated.
To escape to the forest is to find myself instantly marginalized, to feel keenly my own insignificance. The tree will shed its leaves, the rocks will crumble to sand, the wind will travel its course, with or without me.
That is why, despite the outcasts, bandits and drunkards, the wilderness feels like a refuge. A place to hide away from society beside a spider’s web and a pigeon’s nest. A place to feel alone and helpless and safe and befriended — all at the same time. All, while taking in a single breath of freshly photosynthesized afternoon air.